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"The Stupefied
Babysitter" Unlike the other Boogaloo in the Museum's collection, Self-portrait of the Artist with His Ex-wives, this painting reveals a different side of the artist, a whimsical, almost comic temperament. The artist carefully staged the conditions, as he always did, but in this rare case let subsequent events happen as they would before he captured it on canvas.
Boogaloo's 4th wife, Margie, played an essential part in
setting the stage for the painting by calling the local
convent school and asking for recommendations for 'an
innocent, virginal, completely inexperienced' babysitter
for their precocious son, Boris (the foreground child,
demonstrating his precocity to one of the neighborhood
girls). After the young girl arrived the Boogaloos
mentioned in passing that they had invited a few other
children over to romp with Boris in the back yard pool,
and there were sufficient toys and snacks on the patio
picnic table there to keep them all amused. They then
left, 'forgetting' to give the wide-eyed novice any
contact information.
When eight other playmates showed up a few minutes after
they had gone, immediately stripping down to play in
the pool, the poor babysitter realized she was in over
her head. The next 4 hours would prove to be the worst
experience of her young life. By the time the Boogaloos
returned she was sunk in a catatonic stupor, allowing
the artist to capture the whole scene on Polaroid®
canvas instantly. It had all worked out far better than
he had dared hope. The one non-participant, young Jean
de Baptiste on the far left, had been tricked into
thinking he was attending a prayer meeting, and brought
his holy balloon, which had been blown up personally by
Pope Pius in St Peter's basilica in Rome. He added to
the chaos by asking, 'Is it time to pray yet?' every few
minutes and spending the rest of the time castigating
his playmates for their unseemly conduct.
The babysitter was very well compensated for her ordeal,
but was never the same afterwards. She became a
cloistered nun to avoid being exposed to children ever
again. Even pictures of the Infant Jesus would
cause panic attacks. The only words she ever spoke after
her trauma were on her deathbed many years later, when
she was heard to mutter in her creaky, long-unused
voice, 'all those bareass kids...' before slipping into
oblivion.
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Acquisition funded in part by the
American Psychiatric Association.
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© 2004 Ernie
Jurick / Andrea Nicolaides
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reserved; all wrongs revenged
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Ditty Nicolaides)